The Royal Danish Orchestra
The Royal Danish Orchestra
Alexander Vedernikov is educated from the Moscow Conservatory and has since then had an ever growing international career. Vedernikov is a much sought after guest among the world's largest orchestras and regularly works with orchestras like Orchestre de Paris, BBC Symphony, Bayerischer Rundfunk, Staatskapelle Dresden, Montreal Symphony, Tokyo Philharmonic, National Symphony Orchestra in Washington D. C. and many more.
Between 2009 and 2016 Vedernikov was chief conductor for Odense Symfoniorkester and before coming to Odense, Vedernikov was Music Director and Chief Conductor at the Bolshoi Theatre in Moscow.
In 1995 Alexander Vedernikov was one of the main forces in the establishment of the Russian Symphony Orchestra in which he functioned as both Artistic Director and Chief Conductor until 2004. The Russian traditions of theatre and music plays a significant role in Vedernikov's work and especially the composers Prokovfiev and Rachmaninov have influenced his work. Music has always been a part of Vedernikov's life as his father, Alexander Filipovich Vedernikov, was well-known bass-singer in the Soviet Union.
Chefdirigent Alexander Vedernikov
The Royal Danish Orchestra
Concert Masters: Lars Bjørnkjær, Tobias Durholm, Mikkel Futtrup, Emma Steele
Violin 1: Anton Lasine, Anna Gwozdz, Anne Egendal, Tanja Birkelund, Clas Göran Sjöberg, Rikke Yde, Sara Wallevik, Tina Træholt, Michala Kisselhegn, Maria Klingsholm Gillet, Patrick Mårtensson, Charlotte Rafn, Linda Aburto Hernandez, Signe Ane Andersen, Kristine Algot Sørensen (K), Pernille Hvid Larsen (K), Øssur Bæk (K)
Violin 2: Inkeri Vänskä, Therese Andersen, Maya Kadosh, Anna Zelianodjevo, Ane Marie Öberg, Kenneth McFarlan, Per Lund Madsen, Kristoffer Lund Madsen, Grit D. H. Westi, Vladimir Landa, Inge Husted Andersen, Flemming Andersen, Vanessa Blander Hedegaard, Helena Højgaard Nielsen, Siljamari Heikinheimo (K), Alexandra Schneider Hansen (K), Justina Auskelyte (K)
Viola: Gert-Inge Andersson, Iben B. Teilmann, Sune Ranmo, Lotte Wallevik, Anne Lindeskov, Hidekazu Uno, Nanna Rasmussen, Jens Balslev, Alexander Øllgaard, Ida Speyer Grøn, Thomas Kvæde
Cello: Joel Laakso, Kim Bak Dinitzen, Kristian Nørby Sørensen, Nina Reintoft, Emilie Eskær, Juliane von Hahn, Elen Lure Haakensen, Terese Åstrand Radev
Double bass: Mette Hanskov, Meherban Gillett, Ludwig Schwark, Ramsey Harvard, Leif Jensen, Yonas Ben-Hamadou, Jeppe Mørch Sørensen
Flute: Anna Dina Schick Bjørn-Larsen, Britt Halvorsen, Nikolaj von Scholten
Flute/Piccolo: Marie Holzegel Otte, Ana Naranjo
Oboe: Joakim Dam Thomsen, Juliana Koch, Henrik Goldschmidt, Pelle Gravers Nielsen
Oboe/English horn: Rixon Thomas
Clarinet: Lee Morgan, John Kruse
Clarinet/Bass clarinet: Livio Russi, Bertil Andersson
Bassoon: Jacob Dam Fredens, Magnus Koch Jensen, Jørgen Bracht Nielsen
Bassoon/Bass bassoon: Sabine Weinschenk, Klaus Frederiksen
French horn: Ola Nilsson, Claudio Flückiger, Allan Bendsen, Anna Lingdell, Pall Solstein, Johannes Undisz, Gustav Carlsson
Trumpet: Nikolaj Viltoft, Jeppe Lindberg Nielsen, Jonas Wiik, Bjarne K. Nielsen, Lars Husum
Trombone: Kasper Smedegaard Thaarup, Torbjörn Kroon, Tobias Björs, Theis Stoico (K)
Trombone/Bas trombone: Lars Haugaard
Tuba: Lars Holmgaard
Timpani: Henrik Thrane, Patrick Raab
Percussion: Per Jensen, Mads Drewsen, Marcus Wall, Henrik Malmgreen, Mathias Friis-Hansen
Harp: Nina Schlemm, Angelika Wagner
(K) = contract
The Royal Danish Orchestra
The chronology of The Royal Danish Orchestra
by Troels Svendsen
The Royal Danish Orchestra is considered to be the world’s oldest orchestra of its kind. No other orchestra can boast a history so long and so rich in tradition – a tradition that stretches all the way back to 1448. Today, the Royal Danish Orchestra is the contemporary version of an unbroken string of diverse court orchestras that have served under Danish royalty since 1448.
1448: The Royal Danish Orchestra begins life as a trumpet corps featuring 12 trumpets, kettledrums, and 6 trombones. The orchestra also has a chorus. The Royal Danish Orchestra receives its name from the place where the chorus sang, known as the Court Chapel.
1556: In 1556, King Christian III engages Adrian Petit Coclicus as a "singer and musician" for his orchestra. Coclicus means “rooster”, and the man is notorious for chasing ‘hens’ – so much so that he ends up being guilty of bigamy, despite his having been bishop and confessor to the Pope himself. King Christian III hires Coclicus under the stipulation that he “live honourably and in a Christian manner, if he does not wish to be dismissed and lose his salary” – the salary consisted of 40 Joachimsthalers, 3 pounds of malt, 3 pounds of rye, 1 ox, 4 sheep, 4 mast-fed pigs, ½ a keg of butter and free lodging.
1588: King Christian IV is crowned, and court music enters its heyday. The Royal Danish Orchestra now consists of 16 trumpeters, 30 singers and 31 instrumentalists. The famous English composer and lute player John Dowland is engaged as conductor for the orchestra. He spends a total of 8 years in Copenhagen and receives a salary equivalent of an admiral.
View open positions under Orchestra Auditions on this page.
Christian 3rd (1556)
1607: On 12 September 1607, court trumpeter Christen Laursen “unfortunately murdered” his fellow musician Frederick Mott. The murderer was later executed at Kronborg Castle. These were harsh times – another trumpeter who had been sentenced to life in prison was promised leniency on the following conditions: he was to climb up to the weathervane atop the Nikolaj Church tower, play his trumpet and drink numerous glasses of wine in toasts to the king’s health. He was then to throw the empty glasses down into the churchyard, and because they landed without breaking, it was interpreted as a good omen both for the king and for the church, and the court trumpeter was duly pardoned.
1655: In 1655 the violin makes its grand entrance into court music – previously, the featured instruments had included Renaissance instruments such as the zinc, the crumhorn, the clarinet and trumpet, trombone, flute, lute, and viola da gamba. But King Frederik III’s wife, Sophie Amalie, was an admirer of the Court of the Sun King at Versailles, and wished to emulate it by establishing her “violin orchestra” inspired by Louis XIV’s “Grande Bande" and “Petite Bande". Thus comes into being the title "court violin", the forerunner of the current "royal orchestra musician" designation (today’s title for members of the Royal Danish Orchestra).
1659: During the Dano-Swedish wars, the members of the violin orchestra, like other courtiers, are stationed on the frontlines at Løngangen and the Royal Arsenal when Swedish King Carl X invaded Copenhagen in 1659. There were no losses among Frederik III’s musicians.
1703: The Royal Danish Orchestra added woodwind instruments, and now played Tafelmusik, cantatas, and entr’acte music for French comedies, as well as dance music for masked balls and other festive events. But the Danish court also wanted opera, and in October 1703 the royal musicians, now numbering about 15 members, take up residence in a brand-new opera house located at Fredericiagade and Bredgade. The opera house was intended to serve as a public theatre with a royal box for the founder himself, Frederik IV. But the opera house is in use for just five years due to lack of public support. For the following 10 years it stood empty – only to be used as a corn warehouse, armoury, cadet school, barracks, a house of parliament, an infirmary and the Maritime and Commercial court. Today, the former opera house is home to the Eastern High Court.
John Dowland (1858)
Queen Sophie Amalie (1655)
1770: The Royal Danish Orchestra's original Trumpet Corps is disbanded in 1769, and the reins are passed to the trumpets of the Horse Guards. Free of court duties, the orchestra began to expand and become more of what we today consider an orchestra. After a few brief sojourns in other accommodations, the Royal Danish Orchestra finally took up permanent residence in the Royal Danish Theatre in 1770, which it has called home ever since. Thus begins a long period of flourishing for the Royal Danish Orchestra, which can muster an orchestra of approx. 45 musicians for large events.
1791: In 1788, double bass player Gotfred Schreiber died, leaving a wife and eight children. Conductor J.A.P. Schulz arranged a charity concert for the widow and children, but as the other orchestra members were not much better off than the Schreibers, Schulz decided to establish a widow’s pension fund for the orchestra. The idea is reported to have been received with “joyous thanks”. The orchestra performed two concerts each year to benefit the pension fund, and contributed 50 rix-dollars to the fund when the orchestra gave performances outside the royal purview. The first widow's pension fund concert took place in December 1791.
Østre Landsret (1703)
1810: "Mozart’s works receive no better performance than by this capital's orchestra". The orchestra in question is the Royal Danish Orchestra, and the statement issues from Mozart’s own widow, Constanze Mozart, a frequent visitor to the Royal Danish Theatre. She had married Councillor of State Georg Nikolaus Nissen and lived in Copenhagen. She wished that Mozart had lived to witness the masterful performance of his Don Giovanni by the Royal Danish Orchestra, and that he had had the chance to experience the joys that he never could in Germany.
1828: In 1828, the Royal Danish Orchestra voted on a new uniform, which was to be worn at the upcoming premiere of Elverhøj. Clarinettist Jens Krag voted against; his pupil Theodor Hornbeck had sworn to do likewise, but changed his mind. Jens Krag was so incensed that he gave Theodor Hornbeck a beating, which was a big mistake. Krag had to submit to a disciplinary investigation and ended up as the first musician to be sent to the Blue Tower – but not the one at Copenhagen Castle in which Leonora Christina had been imprisoned. This Blue Tower was located at Langebro and served as the gaol for courtiers and civil servants, a category to which the Royal Danish Orchestra belonged. Much to Theodor Hornbeck’s chagrin, the new uniform was soon discarded.
1849: After more than 400 years in the King's service, the Royal Danish Orchestra was transferred to state authority, and that means hard times for the orchestra members. Many of them are threatened with pauper's prison, while Mozart Petersen (see photo and caricature at right) ends up spending time in gaol.
1851: In 1851, the parliament set up a commission to abolish the Royal Danish Orchestra, with a music manager merely hiring musicians on a performance basis. This crisis was averted by theatre manager Johan Ludvig Heiberg with the statement: "The majesty of art resides in its aristocracy… The prestige of the Royal Danish Orchestra cannot of course be destroyed, nor can its high standing be lost, but its prestige is certain to be damaged if the avenue of royal engagement is closed off.”
1874: The Danes were mad about Mozart – so much so that a brother and sister named Mozart and Mozartine (surname Pedersen) were often seen in the streets of Copenhagen. Mozart Petersen is engaged as a clarinettist in the Royal Danish Orchestra at the age of 15, becoming colleagues with his father, a rabid admirer of Wolfgang Amadeus Mozart. At Mozart Pedersen’s favourite tavern in Nyhavn, Hos Foght, many rum toddies were consumed after performances. One February evening in 1874, Mozart Pedersen had a little trouble finding his way home, fell into Nyhavn Canal, and drowned.
Crisis in the history of the Chapel (1851)
1883: Johan Svendsen was engaged as conductor at the Royal Danish Theatre in 1883 and as his condition for taking the position, he requests that he be allowed to give regular symphony concerts with the Royal Danish Orchestra. He receives the reply: “There is no reason why four performances of symphony concerts outside of the Theatre’s requirements should not be possible”. And thus the famous Royal Danish Orchestra symphony concerts come into being on a permanent basis. Apart from a few brief interruptions, the Royal Danish Orchestra has performed symphony concerts ever since, and over the years, these performances have taken the Royal Danish Orchestra on tour around most of Europe as well as Japan and Australia.
A veritable cavalcade of great artists have guest conducted the Royal Danish Orchestra over the years, including Erich Kleiber, Bruno Walter, Hans Knappertsbusch, Pierre Monteux, Wilhelm Furtwängler, Herbert von Karajan, Fritz Busch, Otto Klemperer, Carl Schuricht, Rafael Kubelik, Edwin Fischer, Ferenc Fricsay, George Solti, Sergiu Celibidache, Igor Markevitch, Karl Böhm, Christoph von Dohnanyi, Charles Münch, André Previn, Kurt Masur and Leonard Bernstein.
1913: In 1913 the Royal Danish Orchestra established an association whose purpose is to a) "through our unity to protect the artistic, official, and financial interests of our members as well as represent the Royal Danish Orchestra” and b) “to host social events”.
1924: There was one female member of the Royal Danish Orchestra in 1924 - see photo at right. Today, about half of the orchestra is composed of women.
1955: The Royal Danish Orchestra expanded over the next decade from approx. 70 members to include over 100 musicians.
1970: The Royal Danish Orchestra had never been more royal than during the reign of King Frederik IX (1947-72). The King had received a musical education and regularly served as conductor for the Royal Danish Orchestra itself. One historic concert was given on 8 March 1970, for which one of the soloists in the second movement of Beethoven’s Piano Concerto no. 3 was the King’s son-in-law, Prince Henrik. The following exchange was recorded at the rehearsal: King Frederik IX: “The tempo is too slow” – Prince Henrik: “But that’s my tempo” – King Frederik IX: I’m the conductor here – Prince Henrik: “And I’m the soloist” – King Frederik IX: “Yes, but I’m the King!”
A female member of the Chapel in 1924
1998: In 1998, the Royal Danish Orchestra celebrated its 550th anniversary.
2005: The Royal Danish Orchestra, together with the Royal Danish Opera, took up residence at the newly built harbour-front Opera House.
Honorary members of the Royal Danish Orchestra
Edwin Fischer | A.W. | Svend Wilhelm Hansen | Igor Markevitch | Sergiu Celibidache | Hanne Wilhelm Hansen | Henning Rohde | Peter Augustinus | Danny Kaye | Victor Borge og Leif Juul Jørgensen
Carl Thrane: Fra Hofviolonernes Tid - Det Schønbergske Forlag, København 1908
Fritz Bendix: Af en Kapelmusikers Erindringer - H. Hagerup’s Forlag, København 1913
Torben Krogh: Hofballetten under Christian IV og Frederik III - Povl Branner, København 1934
Niels Friis: Det Kongelige Teater - H. Hagerup, København 1943
Niels Friis: Det Kongelige Kapel - P. Haase & Søns Forlag, 1948
Axel Kjerulf: Kongelig Majestæts Musikanter - Boghallen, København 1952
Gitte Kjær og Verner Nicolet: Det Kongelige Kapel 1948-1998 - Gyldendal, 1998
Mogens Andresen og Troels Svendsen: Det Kongelige Kapel - Verdens ældste orkester - Redigeret af Inger Sørensen, Gads Forlag 2014